I was watching the BBC miniseries Daniel Deronda the other day. Based on the George Eliot novel of the same name (which I’ll have to hunt down and read now), it follows the career of the titular character, who ends up having to choose between two love interests. It’s a beautifully done series, and it’s on Netflix, so if like me, you have a weakness for 19th century period dramas, it’s one of the better ones out there.
Hugh Bonneville is creepily magnificent as the aristocrat who enjoys his domination over others. Romola Garai is brilliant in the role of Gwendolyn Harleth, the young woman who must choose between love and her family’s financial security. She was arguably the most interesting character, and I rather think Eliot could have left out the part about Deronda’s other love interest, and named the book after Harleth. We all love the stories that follow Lizzie Bennet’s injunction, “Do anything rather than marry without affection.” However, the reality for most young women in financial straits in 19th century was that dreamy Mr. Darcy, the perfect gentleman AND in possession of £10,000 per year, did not often come along. Gwendolyn Harleth (whose name, by the way, I think is at least as mellifluous as Mabel Lane Fox) is a sympathetic and compelling character, and it’s hard to really fault her too much for her choices, even as one is horrified by both the choices and their consequences.